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HoursVue The overall
Doubling nominated by the Golden Globes and Academy of Oscar, The Hours has, alas, got neither one nor the other. But make no mistake: this new film is a marvel glasséenne, probably his best score for the film since Mishima. Responsible for illuminating a surreal piano around which the whole harmonic structure melodic and chasing, the conductor Michael Riesman leaves for the occasion his trusty baton to Nick Ingman. But far from compromising the symbiosis with interpreters of this music challenging simplicity, clarity of an intimidating, this contractual change becomes neither more nor less stroke of genius. Partner Philip Glass has always been leader with equal success all his work for the screen, the pianist became chief maintains such complicity with the composer he becomes one with his music, flying these divine 57 minutes of his profoundly graceful touch, or the art of penetrating the meaning smooth, purely to arouse feelings visceral with a speech highly spiritual, a possible musical philosophy. Far from getting lost in a language that shines as the opaque intricacies of his brain, Philip Glass shifted his intellectual vision to the more fluid the expressions, the more natural flow. Never outline the fascination generated by the notes of a nameless beauty, of startling insight, not dropped a single second since the elevation of the inner song that introduces "The Poet Acts," a track tailor-made, until reminiscent of the timeless title track, a final dream dies in the arms of the infinite. The undulations bewitching strings subtly penetrating cement a bright transparent orchestration, combined radiation piano while chiaroscuro, the haunting theme and substance harmonic still hovering, generate a delight for all the moments would be futile without the spiritual aura that emanates. The angelic beauty of piano in "Morning Passages", the resonances of a funeral march dream ("I'm going to make a cake") or the haunting ostinato escaping "Tearing herself away" are some examples of This eruption also that sensory brain flowing in us with the purity and clarity of a mountain spring. An absolute musical experience, beyond far beyond a simple scope, as there is little in life. What The Hours otherwise the quintessence of film music by Philip Glass, a record is new century? - Jean-Christophe ArlonAvailability: Usually dispatched 1-2 days
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